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YYCCC 2010-12-02 Calgary City Council – December 2, 2010

owner keeps coming to my house when city inspectors to check things I complain, it grows?

Then his way screaming like crazy do I complain too much, and that. I took him to court and forced to make repairs, including the reduction of lead paint, which initially refused to subside. I guess it's a fad was positive for lead dust. So they sent some guys to clean around my house and a broom. Flooded and began to see and he said his department and wants what they do. You can call the office and ask for code inspectors are not being the guy in the street! It is the third time I I call the police but they did not say it again. What I can do to remove the next time can you be? or just put me with this constant intrusion? Thanks I live in New York

I just close the doors so that he can not enter if you have a password, then change the locks. but hurry up and secure all doors and slap in the face. has any rights you may still call the police if they actually do something, then tell them you want something, because no one listens, that will eventually get tired of it and they will do something

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Lost artworks

Classical era

The “Colossus of Rhodes”, one of the Seven Wonders of the Ancient World

The “Statue of Zeus at Olympia”, one of the Seven Wonders of the Ancient World

The “Athena Parthenos”, originally housed in the Parthenon

5th century

Mosaic portraits of members of the western and eastern imperial families and the bishop of Ravenna, commissioned by Galla Placidia in the Church of San Giovanni Evangelista, Ravenna (c. 425 C.E.). Destroyed by 1747.

Equestrian monument (the “Regisole”) to Theodoric the Great, King of the Ostrogoths erected at Ravenna. Moved to Pavia in the Middle Ages, it stood before the cathedral. Destroyed by French troops under Napoleon, 1796.

6th century

The Buddhas of Bamyan, destroyed by the Taliban in 2001.

8th century

Many icons were destroyed during the reign of Leo III the Isaurian, including a famous image of Christ Chalkites on the Chalke Gate. Only a few icons from this period survive, saved outside of imperial control at St. Catherine’s Monastery, in the Sinai.

11th century

The final portion of the Bayeux Tapestry was deliberately removed at some point, and is now lost.

14th century

Panels of the great Maest altarpiece of Duccio di Buoninsegna, painted for the Duomo of Siena and representing the Coronation of the Virgin, Virgin of the Assumption, Ascension of Christ, and Christ in Majesty, are missing and presumed lost.

The great Navicella mosaic of Giotto di Bondone on the porch of Old Saint Peter’s Basilica was extensively reworked in the 17th century.

Giotto’s allegorical fresco of the Commune of Florence portrayed as a seated judge with sceptre, flanked by figures of Fortitude, Prudence, Justice and Temperance, painted for the Palazzo del Podesta, now the Bargello, Florence. Described by Giorgio Vasari.

Giotto’s frescoes (Stories of the Apostles) for the Giugni Chapel of the Basilica of Santa Croce, Florence.

A lost painting of the Virgin by Giotto was bequeathed by the poet Petrarch to Francesca da Carrara, lord of Padua, in 1370.

Fresco, Saint Margaret of Cortona bringing Suppolino back to Life, by Ambrogio Lorenzetti in the Church of Santa Margherita, Cortona. Destroyed mid – 17th century.

A lost portrait of Petrarch’s Laura de Noves by Simone Martini is the subject of one of Petrarch’s sonnets.

15th century

Virgin Enthroned with Saints and Angels (1402) by Lorenzo Monaco. Destroyed by fire in the Friedrichshain Flakturm following the capture of Berlin, May 1945.

Statue of Joshua in terra cotta carved by Donatello for the north tribune of the Duomo of Florence (c.1410). Disappeared in the 18th century.

Statue of Abundance (Dovizia) in stone carved by Donatello (1428). On a column placed first in the Baptistery of the Duomo, later in the Mercato Vecchio, Florence. Replaced in the 18th century, now lost.

Frescoes by Gentile da Fabriano and Pisanello in the Basilica of Saint John Lateran, Rome. Destroyed in reconstruction, 1647.

Fresco cycle of 300 images of Illustrious Men by Masolino da Panicale and Paolo Uccello (c. 1432) for the Palace of Cardinal Orsini in Rome. A watercolor copy by Leonardo da Besozzo survives.

The Sagra del Carmine, monochrome fresco for the cloister of Santa Maria del Carmine, Florence, by Masaccio (1425) representing the consecration of the church in 1422. Destroyed by 1600.

Fresco of the Confirmation of the Rules of the Carmelites by Filippo Lippi in the cloister of Santa Maria del Carmine, Florence. Destroyed by fire, 1771. A fragment uncovered in 1860 survives in place.

A Crucifix was painted by Fra Angelico for the Dominican church of Santa Maria Novella, Florence, in 1423.

School of Fra Angelico. Last Judgment (1456). Destroyed by fire in the Friedrichshain Flakturm following the capture of Berlin, May 1945.

Fresco of the Flagellation by Andrea del Castagno in the cloister of the Basilica of Santa Croce, Florence, destroyed in the 17th century.

Frescoes of the life of the Virgin (1450-1452) begun by Domenico Veneziano and completed by Andrea del Castagno in the church of Sant’ Egidio (Santa Maria Nuova), Florence. Destroyed 1594.

Fresco cycle of the life of Santa Rosa, painted by Benozzo Gozzoli for the church of Santa Rosa, Viterbo. Destroyed by 1632 renovations to the church. Autograph and other drawings and a contemporary description survive.

Altarpiece with scenes from the life of Saint Nicholas by Antonello da Messina for the Confraternity of San Nicol della Montagna in Messina. Seen by Cavalcaselle in 1871. Destroyed in the 1908 Messina earthquake.

Virgin and Child in Glory with Saints John the Evangelist, Francis, Jerome and John the Baptist (c. 1496) by Ghirlandaio. Destroyed by fire in the Friedrichshain Flakturm following the capture of Berlin, May 1945.

Several original paintings on “pagan” subjects by Sandro Botticelli, who burned them in the Bonfire of the Vanities.

Portrait of Piero di Cosimo de’ Medici (c. 1478) by Botticelli. Formerly Museo Civico Gaetano Filangieri, Naples. Destroyed in World War II. Photographs survive.

Frescoes on mythological themes, including the Forge of Vulcan, executed by Botticelli, Ghirlandaio, Filippino Lippi and Perugino for Lorenzo dei Medici in the great hall and external loggia of his villa at Spedaletto, near Volterra, 1487-90. Damaged by damp and finally destroyed by fire in the early nineteenth century.

Fresco of the Triumph of Trajan by Vincenzo Foppa, done for the Medici bank in the Via de’ Bossi, Milan. A fragment survives in the Wallace Collection, London.

Altarpiece for the church of Santa Maria dei Battuti in Belluno (c. 1485) by Alvise Vivarini. Destroyed by fire in Berlin during World War II.

Frescoes, including a Baptism of Christ for the Belvedere Chapel of the Vatican (1488) by Andrea Mantegna. Destroyed under Pope Pius VI to permit construction of the Pio-Clementino Museum, 1780.

Mantegna’s Lamentation of the People over the Dead Gattamelata, (1457-60) a fresco in the Palazzo Gattamelata, Padua. Destroyed by fire November 5, 1760.

Saint Catherine of Siena Altarpiece (Sacra Conversazione) by Giovanni Bellini in the Chapel of the Rosary of the Church of Santi Giovanni e Paolo, Venice. Destroyed by fire in 1867.

The Supper at Emmaus (c. 1494) by Giovanni Bellini. Painted for Giorgio Cornaro of Venice. Destroyed by fire in Vienna in the 18th c.

Fresco, Ascension with Christ in Glory (c.1478-80) by Melozzo da Forli for the choir of the Church of the Santi Apostoli in Rome. Destroyed in 1711 for the enlargement of the choir, 1711. Fragments survive in the Vatican and Quirinal.

The Court of Pan, by Signorelli. Destroyed by fire in the Friedrichshain Flakturm following the capture of Berlin, May 1945.

Fresco of Madonna and Saints for the Tower of Citt di Castello (1474) by Signorelli. Destroyed by earthquake in 1789.

Adoration of the Magi fresco by Perugino for the convent of S. Giusto alla Mura.

The lower left panel of Van Eyck’s Ghent Altarpiece, titled The Just Judges, was stolen in 1934 and is now lost.

Triptych of the Virgin and Child with Donor by Van Eyck (c. 1441). Painted for Nicholas van Maelbeke, provost of St. Martin Cathedral, Ypres. Removed from the cathedral and lost during the French occupation of The Netherlands, 1792-1815. A 1629 copy was acquired by the Bruges museum in 2007.

Crucifixion by Petrus Christus (attributed) (c. 1444). Formerly Dessau Museum. Destroyed by bombing in World War II.

The Justice of Trajan and the Justice of Herkenbald by Rogier van der Weyden. Painted for the ‘Gulden Camere’ (Golden Chamber) of the Brussels Town Hall. The first dated 1439. Destroyed in the French Bombardment of Brussels in 1695.

Descent from the Cross altarpiece by Jan Mabuse executed for the church of Middelburg. Destroyed by fire, 1568.

Tapestries of the Great History of Troy (c. 1475) for the Painted Chamber of the Palace of Westminster, London. Removed 1820 and sold for ten pounds sterling to a London merchant. Presumed destroyed.

16th century

The Trial of Saint Stephen by Vittore Carpaccio. A drawing for the modello survives in the Uffizi.

Virgin and Child Enthroned with Saints Faustinus and Jovita, patron saints of Brescia (the Averoldi Altarpiece) by Carpaccio. Formerly sacristy of S. Giovanni Evangelista, Brescia. Sold to the National Gallery London, lost in a shipwreck crossing the English Channel.

Assumption of the Virgin (c.1507-08) by Fra Bartolommeo. Destroyed by fire in the Friedrichshain Flakturn following the capture of Berlin, May 1945.

Medusa (before 1500, unfinished) by Leonardo da Vinci. In the collection of Cosimo I of Tuscany, 1553. Lost since the end of the 16th century.

Leda and the Swan (1508) by Leonardo da Vinci.

Battle of Anghiari by Leonardo da Vinci (Palazzo Vecchio)

Cartoon by Michelangelo of the battle of Cascina, Palazzo Vecchio, putatively destroyed by Bandinelli

A painting of Leda and the Swan (circa 1530) by Michelangelo. Given by the artist to his friend Antonio Mini who took it to France, where it disappeared.

A marble Cupid by Michelangelo, later owned by Isabella d’Este and Charles I of England. Destroyed in a fire at Whitehall Palace, London, 1698.

A marble Hercules by Michelangelo, his first free-standing statue (c. 1492-94). Installed in the Palazzo Strozzi, Florence, 1506, sent to France in the 16th century. Lost in the 18th century.

A bronze statue of David resting his foot on the severed head of Goliath, by Michelangelo.

Altarpiece of the Madonna and Child with St. Mary Magdalen and St. Lucy (Madonna of Albinea) by Antonio da Correggio.

Fresco of The Coronation of the Virgin for the church of San Giovanni Evangelista, Parma, by Correggio. Destroyed 1587. Fragments in National Gallery, London, other museums.

Portrait of a Young Man by Raphael. Confiscated by the Nazis, now lost .

Baronci altarpiece (the Crowning of Saint Nicholas of Tolentino) by Raphael. His first recorded commission, it was made for Andrea Baronci’s chapel in the church of Sant’Agostino in Citta di Castello, near Urbino. Destroyed in an 18th c. earthquake. At least four fragments survive (Louvre, Capodimonte).

Saint Catherine of Alexandria by Raphael. Formerly owned by Thomas Howard, Earl of Arundel. Depicted in an engraving by Wenceslas Hollar. Presumed lost.

The Wedding of Neptune and Amphitrite, silver bowl by Cellini. Taken from the Chapter of the Basilica of Santa Barbara, Modena, by the French, 1796. Presumed lost.

Ascension of Mary altarpiece (The eller altar) by Drer. The central panel added to the collection of Elector Maximilian of Bavaria, later lost in a fire in 1729.

Cardinal Albrecht of Brandenburg, Archbishop of Mainz, Virgin and Child with Four Female Saints, and Madonna and Child with Infant Saint John by Cranach the Elder. Destroyed by fire in the Friedrichshain Flakturn following the capture of Berlin, May 1945.

Duke Henry of Saxony by Cranach the Elder. Destroyed by enemy action in Dresden, February 1945.

Market Day by Pieter Brueghel the Elder. Depicted in the 17th c. gallery of Cornelis van der Geest painted by Willem van Hoecht.

The Farmers Brawl by Breughel the Elder. Destroyed by enemy action in Dresden, February 1945.

Hans Holbein the Younger’s Whitehall Mural of Henry VIII and family in Whitehall Palace, London, destroyed by fire in 1698.

The Family of Sir Thomas More by Holbein. Destroyed by fire at Kremsier Castle, the Moravian residence of Carl von Liechtenstein, archbishop of Olmutz, 1752.

The Goldsmith Hans von Zurich by Holbein. Copied by Lucas Vosterman. Engraved by Wenceslas Hollar. Presumed lost.

Various works of Titian (including his Battle of Spoleto, Battle of Cadore and Doge Gritti Praying to the Virgin), Tintoretto (his Coronation of Frederick Barbarossa, Excommunication of Barbarossa, and Last Judgment), Paolo Veronese (his Homage of Frederick Barbarossa), Gentile da Fabriano, Pisanello, Carpaccio (his Battle of Ancona), Alvise Vivarini (Otho Promising to Mediate Between Venice and Barbarossa),Guariento (his Paradise), Gentile Bellini (his Battle of Salvore and Presentation of the White Candle to the Pope) and Giovanni Bellini (his Presentation of the Eight Standards and Trumpets to the Doge) were lost in a fire at the Doge’s Palace in Venice in 1577.

Portrait of Isabella dste in Red by Titian. A copy by Rubens is in the Kunsthistorisches Museum, Vienna.

Martyrdom of St Peter (Titian, Santi Giovanni e Paolo) (fire).

Double Portrait of Emperor Charles V and his wife Isabella of Portugal by Titian. Destroyed in the Alcazar palace fire, Madrid, 1734. A copy by Rubens survives.

Penitent Magdalene by Titian. Painted for Philip II of Spain, 1561. Destroyed in a fire at Bath House, London, January 21, 1873.

Ixion and Tantalus by Titian. Destroyed in the Alcazar palace fire, Madrid, 1734.

Paintings of The Twelve Caesars, by Titian. Destroyed in the Alcazar palace fire, Madrid, 1734.

Venus in Front of her Mirror by Titian. Lost from the Spanish royal collection in the 19th century. A copy by Rubens survives.

Apollo and Juno and Saturn Helps Religion to Overcome Heresy by Veronese. Painted c. 1580 for the Fondaco dei Tedeschi, Venice. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Fresco of God the Father and the Four Evangelists by Pontormo in the Capponi Chapel, Church of Santa Felicita, Florence. Destroyed in 18th century remodeling.

Last Judgement Cartoons, (Pontormo, San Lorenzo) covered over.

17th century

Equestrian bronze statue of Henry IV of France by Giovanni da Bologna. Presented to Marie de Medicis by Cosimo II of Tuscany in 1614. Melted for cannon during the French Revolution.

Time Saving Truth from Envy and Discord by Nicolas Poussin. Untraced since 1840.

The Martyrdom of Erasmus (c. 1630) by Poussin, destroyed February 1945 by enemy action in Dresden, Germany.

Penance, one of the seven Sacraments (1637-40) by Poussin, destroyed by fire at Belvoir Castle in 1816.

Queen Esther Approaching the Palace of Ahasuerus (1658) by Claude Lorrain. Destroyed in a fire at Fonthill Abbey, 1755.

Apollo Guarding the Herds of Admetus and Mercury Stealing Them by Claude Lorrain. Formerly at Holker Hall. Destroyed by fire in 1870.

Aeneas and the Sibyl of Cumae by Claude Lorrain (Liber Veritatis 183). One of four works commissioned by Prince Falconieri executed 1666-73.

Raising of the Cross, altarpiece by Peter Paul Rubens. Painted for the Church of Santa Croce in Gerusalemme, Rome (1601-02).

Judith Beheading Holofernes, by Rubens (c. 1609). Known only though the 1610 engraving by Cornelius Galle.

Madonna of the Rosary, by Rubens. Painted for the Royal Chapel of the Dominican Church, Brussels. Destroyed in the French bombardment of Brussels, 1695.

Virgin Adorned with Flowers by Saint Anne, by Rubens (1610). Painted for the Church of the Carmelite Friars, Brussels. Destroyed in the French bombardment of Brussels, 1695.

Saint Job Triptych by Rubens (1613). Painted for Saint Nicholas Church, Brussels. Destroyed in the French bombardment of Brussels, 1695.

Cambyses Appointing Otanes Judge, Judgment of Solomon, and Last Judgment, by Rubens. Decoration for the Magistrates’ Hall, Brussels. Destroyed in the French bombardment of Brussels, 1695.

Neptune and Amphitrite by Rubens (c. 1615). Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Nativity, Adoration of the Magi, and Pentecost, by Rubens. Painted for the Chapel of Coudenberg Palace, Brussels. Destroyed by fire, 1731.

Susannah and the Elders by Rubens (1617-18). Engraved 1620 by Lucas Vosterman.

Satyr, Nymph, Putti and Leopards by Rubens (1618). Now known only from engraving.

The Abduction of Proserpine by Rubens. Engraved before 1621 by Pieter Soutman. Destroyed by fire at Blenheim Palace, Oxfordshire, February 5, 1861.

Crucifixion with Mary, St. John, Magdalen, by Rubens (1622). Destroyed by English Parliamentarians in the Queen’s Chapel, Somerset House, London, 1643.

Portrait of Philip IV of Spain, by Rubens (1628). Destroyed by an incendiary attack at the Kunsthaus, Zurich, in 1985.

Diana and Nymphs Surprised by Satyrs by Rubens (c. 1635-38). Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Equestrian Portrait of the Archduke Albert by Rubens.

Equestrian Portrait of Philip IV of Spain by Rubens. Destroyed in the Alcazar royal palace fire, Madrid, 1734. A copy is in the Uffizi Gallery.

The Continence of Scipio by Rubens. Destroyed by fire in the Western Exchange, Old Bond Street, London, March 1836.

The Lion Hunt by Rubens. Removed by Napoleon’s agents from Schloss Schleissheim, near Munich, 1800 and sent ultimately to the Bordeaux Museum, where destroyed by fire, 1870.

Equestrian Portrait of the Duke of Buckingham by Rubens. Later owned by the Earl of Jersey at Osterley Park. Destroyed by fire in 1949.

Series of 39 ceiling paintings for the Jesuit Church in Antwerp, designed by Rubens, largely executed by Van Dyck. Destroyed by fire in 1718.

Vision of Saint Hubert by Rubens and Jan Brueghel the Elder. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Group Portrait of the Town Council of Brussels by Van Dyck. Destroyed in the bombardment of Brussels, 1695.

Christ Crowned with Thorns, Lamentation over Christ, Nymphs Surprised by Satyrs, and Saints John the Baptist and John the Evangelist by Van Dyck. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Birth of Christ by Gerrit van Honthorst. Destroyed in the car bombing of the Uffizi Gallery, Florence, May 1993.

Six Gold and Silver Smiths (The “Bankers of Amsterdam”) by Thomas de Keyser (1627). One of 30 paintings destroyed by fire at the Musee de Beaux Arts, Strasbourg, August 13, 1947.

The Circumcision (1646) by Rembrandt.

Bentheim Castle with Christ and Disciples on the Road to Emmaus by Jacob van Ruisdael. Destroyed by fire at the Boijmans Museum, Rotterdam, 1864.

Large family portrait by Carel Fabritius. Destroyed by fire at the Boijmans Museum, Rotterdam, 1864.

Sleeping Man by Aelbert Cuyp. Destroyed by fire at the Boijmans Museum, Rotterdam, 1864.

A entleman washing his hands in a see-through room (half-door) with sculptures, artful and rare, by Vermeer, listed in the catalogue of the Dissius auction, Holland, 1696.

The Inspiration of Matthew first version by Caravaggio (~1601) (Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.)

Christ on the Mount of Olives by Caravaggio (1605). From the collection of Vincenzo Giustiniani. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Fillide Melandroni (c.1597) by Caravaggio. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

A portrait of Alof de Wignacourt by Caravaggio.

Saint John, Saint Francis, and a Resurrection, by Caravaggio, done for Santnna dei Lombardi, Naples. Destroyed in an earthquake, 1798.

Nativity with St. Francis and St. Lawrence by Caravaggio for the Oratorio of San Lorenzo, Palermo. Stolen in 1969, unrecovered.

The Conversion of Saint Paul altarpiece by Orazio Gentileschi, done for the basilica of San Paolo fuori le Mura, Rome. Destroyed by fire, 1823.

The Stoning of Saint Stephen altarpiece by Lavinia Fontana, done for the basilica of San Paolo fuori le Mura, Rome. Destroyed by fire, 1823.

Hercules and Omphale by Artemisia Gentileschi (1628), painted for Philip IV of Spain. Destroyed in the Alcazar palace fire, Madrid, 1734.

Bathsheba by Artemisia Gentileschi (1650-52). Destroyed by fire at Gosford House, Scotland, 1940.

La Buonavventura and Ciclo Vito by Bartolomeo Manfredi. Destroyed in the car bombing of the Uffizi Gallery, Florence, May 1993.

Danae by Annibale Carracci. Formerly Ellesmere collection, Bridgewater House, Westminster, London. Destroyed by enemy action in World War II, May 11, 1941.

Saint Gregory Praying for Souls in Purgatory (c.1600), altarpiece painted by Annibale Caracci for the church of San Gregorio Magno, Rome. Formerly Ellesmere collection, Bridgewater House, Westminster, London. Destroyed by enemy action in World War II, May 11, 1941.

Descent from the Cross by Ludovico Carracci. Formerly Ellesmere collection, Bridgewater House, Westminster, London. Destroyed by enemy action in World War II, May 11, 1941.

Bacchus and Ariadne by Guido Reni. Commissioned for Queen Henrietta Maria’s house at Greenwich, 1637. Destroyed in France in the 17th century by the widow of Michel Particelli d’Hemery, who was scandalized by the female nudes it contained. A fragment with the head of Ariadne survives.

Immaculate Conception by Guido Reni. Formerly Cathedral of Seville, Spain, later in the Ellesmere collection, Bridgewater House, Westminster, London. Destroyed by enemy action in World War II, May 11, 1941.

Bust of Charles I by Bernini, in marble. Destroyed in the Whitehall Palace fire, London, 1698.

Crucified Christ by Bernini, in bronze. Formerly in the French royal collection. Destroyed in the French Revolution.

Expulsion of the Moors with Philip III (1627) by Velasquez. Destroyed in the Alcazar palace fire, Madrid, 1734.

Venus and Adonis by Velasquez. Destroyed in the Alcazar palace fire, Madrid, 1734.

Cupid and Psyche by Velasquez. Destroyed in the Alcazar palace fire, Madrid, 1734.

Apollo and Marsyas by Velasquez. Destroyed in the Alcazar palace fire, Madrid, 1734.

Two portraits of royal jesters, Francesco de Ochoa and Cardenas the Toreador, painted by Velasquez for the Buen Retiro Palace, Madrid.

Pelican with Bucket and Donkeys painted by Velasquez for the Palace of Buen Retiro, Madrid.

Saint Bonaventure Reveals the Crucifix to Saint Thomas Aquinas by Zurbarn. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Frescoes of The Labors of Hercules by Luca Giordano painted 1692-1702 for the Buen Retiro Palace of Charles II of Spain, Madrid. Destroyed in the 19th century.

William III Leading Troops at the Battle of the Boyne by Godfrey Kneller. Destroyed by fire in Grocers’ Hall, London, September 22, 1965.

18th century

The Amber Room of the Catherine Palace in Russia was lost during World War II.

The Drawing Lesson and A Girl Reciting her Gospel by Jean-Baptiste-Simon Chardin.

Still Life with Copper Kettle, Bowl with Eggs (1724-25), by Chardin. Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

Decorations for the Chateau de la Muette: the Goddess Ki Mao Sao in the Kingdom of Mang in the country of Laos, by Watteau (engraved c. 1719). Demolished at the Revolution.

Spring (Printemps), one of a series of four paintings of the Seasons, painted by Watteau for the banker Pierre Crozat. Rediscovered 1964, destroyed by fire two years later. Autumn and Winter from the series remain unaccounted for.

Jay and Oriole Hung by the Feet by Jean-Baptiste Oudry. Exhibited at the Salon of 1751.

The original paintings of A Harlot’s Progress (1731) by William Hogarth were destroyed in a fire at Fonthill Abbey in 1755, but the engravings (1732) survive.

Fresco of The Translation of the Holy House of Loreto by Gianbattista Tiepolo in the Church of the Scalzi, Venice. Destroyed by enemy action (Austrian shell), 1915.

Frescoes by Gianbattista and Giandomenico Tiepolo glorifying the Soderini family, Villa Soderini, Nervesa della Battaglia, in the Veneto (c.1754) were totally destroyed during an Italo-Austrian engagement in the First World War, June 15-19, 1918.

Ceiling frescoes of The Triumph of the Arts and Sciences, Apollo and Phaethon, Perseus and Andromeda, and Juno with Fortuna and Venus by Gianbattista Tiepolo in the Palazzo Archinto, Milan. Destroyed by bombardment in World War II.

Nativity, The Infant Jupiter, General James Oglethorpe and sixteen other works of Sir Joshua Reynolds were destroyed by fire at Belvoir Castle in 1816.

Gainsborough’s whole-length of David Garrick leaning on a bust of Shakespeare, painted for the Stratford Shakespeare Jubilee (1766) was destroyed in a fire at Stratford-upon-Avon Town Hall in 1946.

The Woodman and his Dog in a Storm (1787) by Gainsborough. Destroyed by fire in 1810. A 1791 mezzotint by Pierre Simon exists.

The Destruction of Niobe’s Children by Richard Wilson. Formerly National Gallery, London. Destroyed by enemy action in World War II, 1944.

Bust of the composer Gluck in marble by Jean-Antoine Houdon. Destroyed by fire at the Paris Opera, 1873. Terra cotta versions exist.

The Eidophusikon (1781) by Philip James de Loutherbourg.

Le Pelletier on his Death Bed (1793) by Jacques-Louis David.

19th Century

Don Antonio de Porcel (1806) by Goya. Destroyed in a fire in the Jockey Club, Buenos Aires, 1956.

A Vision of the Last Judgment (1808) by William Blake. Earlier versions and sketches survive, but the final version has not been seen since the cancellation of an 1810 exhibit it was to have been part of.

George Washington Seated, in Roman dress, marble sculpture by Canova, destroyed by fire in the North Carolina State House, Raleigh, 1831. The artist’s plaster model survives.

Winter (1807-08), The Farewell (1818), The Harbor at Grifswald (c. 1820), Autumn Landscape with Brush Collector (1824), and Evening (1825), by Caspar David Friedrich. Destroyed in the Glaspalast (Munich) fire, 1931.

Mountain Chapel in the Mist (1811), Monastery Graveyard in the Snow (1817-18), High Mountain Region (1824), and Northern Lights (1830-35) by Caspar David Friedrich.Destroyed by fire in the Friedrichshain Flakturm, following the capture of Berlin, May 1945.

The Mouth of the Thames (1807) by Joseph Mallord William Turner. Destroyed by enemy action in World War II.

Fish Market on the Sands (1830) by Turner. Formerly owned by Billy Rose. Destroyed by fire, 1956.

Aeneas Relating his Story to Dido (1850) by Turner.

Mississippi River Panorama (1840-46) by John Banvard. Promoted as a ‘three-mile canvas’, though it was only approximately half a mile (800 m) long. Banvard gave the panorama many showings, including one to Queen Victoria. It is thought to have been cut up into pieces towards the end of the 19th century.

Washington Crossing the Delaware (1849-50) (first version) by Emanuel Leutze. Destroyed in an air raid on Bremen, 1942.

Apotheosis of Napoleon I by Ingres. Ceiling painting for the Hotel de Ville, Paris. Destroyed by fire in the Paris Commune, 1871.

The Storming of the Bastille (1830) by Paul Delaroche. Painted for the Hotel de Ville, Paris. Destroyed by fire in the Paris Commune, 1871.

Justinian Drafting his Laws (1826) by Eugne Delacroix. Painted for the Council of State, Paris. Destroyed by fire in the Paris Commune, 1871. An 1855 photograph survives.

Peace Consoles Mankind and Brings Abundance (1852-54) by Delacroix. Painted for the Hall of Peace at the Hotel de Ville, Paris. Destroyed by fire in the Paris Commune, 1871.

The Jewish Captivity in Babylon by Jean-Francois Millet. Submitted for the Paris Salon, 1848. Painted over by the artist with a scene executed in Normandy in 1870-71.

The Stone-breakers, by Courbet, destroyed in transit from the Dresden Gallery in World War II.

The Return from the Conference (1863) by Courbet. Destroyed 1909 by its owner due to its anticlerical content.

Venus and Psyche (1864) by Courbet. Destroyed by enemy air action, Berlin, 1945.

Still Life: Vase with Five Sunflowers (1888) by Van Gogh. Formerly in the collection of Koyata Yamamoto, Japan. Destroyed by American air raids on Ashiya District, August 5-6, 1945.

The Painter on his Way to Work by Van Gogh. Formerly in the Kaiser-Friedrich Museum, Berlin. Destroyed by fire in World War II.

The Park at Arles with the Entrance Seen Through the Trees (1888) by Van Gogh. Destroyed by fire in World War II.

The Lovers: The Poet’s Garden IV (1888) by Van Gogh. Declared degenerate and confiscated by the Nazis in 1937. Whereabouts unknown.

The New Jerusalem by George Inness was destroyed in the partial collapse of Madison Square Garden in 1880. Salvaged fragments survive, including Valley of the Olive Trees in the Walters Art Gallery, Baltimore.

The Apparition, a lost oil by James Tissot (1885). A mezzotint by the artist exists.

Henri Rousseau’s portrait of French playwright Alfred Jarry (1895) was destroyed by the sitter, who disliked it.

Head of Sir Henry Irving by John Singer Sargent. Destroyed by the sitter, who disliked it.

Portrait of Thomas Eakins by William Merritt Chase (c. 1899). Presumed destroyed by the sitter.

Hen with Sapphire Pendant (1886), a Faberg egg.

Cherub with Chariot (1888), a Faberg egg.

Necessaire (1889), a Faberg egg.

Alexander III Portraits (1896), a Faberg egg.

Mauve (1898), a Faberg egg.

20th century

Empire Nephrite (1902), a Faberg egg.

Royal Danish (1903), a Faberg egg.

Alexander III Commemorative (1909), a Faberg egg.

Musik II (1898), Schubert at the Piano (1899), Golden Apple Tree (1903), Procession of the Dead (1903), Medicine, Philosophy, and Jurisprudence (1899-1907), Farm Garden with Crucifix (1911-12), Malcesine on Lake Garda (1913), Garden Path with Chickens (1916), Portrait of Wally (1916), The Friends (c. 1916-17), Leda (1917), Gastein (1917), all by Gustav Klimt. Destroyed by fire set by retreating German forces in 1945 at Schloss Immendorf, Austria.

Two paintings by Claude Monet, including a major study of Water Lilies, were destroyed in a fire that swept the Museum of Modern Art, New York, in April 1958.

Diego Rivera’s mural Man at the Crossroads (1933) was destroyed and removed in 1934 because its content (including a portrait of Lenin) offended Nelson Rockefeller, who had commissioned the work. Rivera later recreated the work as Man, Controller of the Universe in the Palacio de Bellas Artes in Mexico City.

Joan Miro’s large mural on panels, The Reaper, (1937) depicting a Catalan peasant, was created for the Spanish Republican pavilion of the 1937 Paris Exposition. Afterwards it was sent to Valencia and probably destroyed.

Works of Arshile Gorky were lost when his studio burned in 1946. In addition, 15 abstract paintings and drawings by Gorky were lost in a 1962 plane crash

Graham Sutherland’s portrait of Winston Churchill (1954) was deliberately destroyed by Lady Churchill because she did not like it.

Some 20 works were created on camera and then deliberately destroyed by Pablo Picasso for the documentary Le Mystre Picasso (The Mystery of Picasso, 1956) .

On January 30, 1979, a Varig 707 freighter, registration PP-VLU, disappeared over the Pacific Ocean thirty minutes after departing Tokyo, Japan. The captain had previously been involved in another major accident, that of Varig Flight 820 in 1973. No wreckage or remains were ever located. The aircraft was carrying 153 paintings by the Japanese Brazilian artist Manabu Mabe, worth approximately $1.24 million US.

“Study after Velazquez III” (1950), Francis Bacon. Third in a series of portraits after Velzquez’s Portrait of Pope Innocent X, 1650. All three were thought destroyed by the artist until the first two surfaced 1999.

“Untitled Wall Relief”, by Craig Kauffman (1967), an acrylic lacquer on Plexiglas piece, fell off the wall and shattered on July 16, 2006 at the Pompidou Center of Paris

Untitled piece by Peter Alexander (1971), an 8 ft. x 5 in. molded polyester resin work, fell and shattered in April 2006 at the Pompidou Center of Paris

Anish Kapoor’s wood and cement sculpture “Hole and Vessel” (1984) was discovered missing from its storage unit in 2004.

Richard Serra’s 38-ton metal sculpture “Equal-Parallel/Guernica-Bengasi” (1986), formerly displayed at the Reina Sofia museum, was unable to be located in 2006

The “Goddess of Democracy” (1989) by students of the Central Academy of Fine Arts, was destroyed by The People’s Liberation Army during the Tiananmen Square protests of 1989.

Rachel Whiteread’s enormous sculpture “House” (1993) was destroyed by the London Borough of Tower Hamlets council on January 11, 1994.

Pablo Picasso’s painting The Painter was lost aboard Swissair Flight 111 when it crashed into the waters off Halifax, Nova Scotia, Canada on September 2, 1998.

Richard Serra’s Tilted Arc (1981) was dismantled and removed in 1989.

Hlio Oiticica’s almost whole collection was destroyed on October 16, 2009 in a fire at his brother’s house.

Works destroyed in the September 11, 2001 attacks

Many works of art were destroyed in the September 11, 2001 attacks when the World Trade Center buildings collapsed.

“Ideogram” (1967) stainless steel sculpture by James Rosati

“Cloud Fortress” (1975) a large, black granite piece by Japanese artist Masayuki Nagare, destroyed in the 9/11 rescue and recovery efforts.

“The World Trade Center Tapestry” a 20′ x 35′ tapestry by Joan Mir

“Sky Gate, New York” (1977-78) by Louise Nevelson

A memorial fountain for the victims of the 1993 World Trade Center bombing by Elyn Zimmerman

“World Trade Center Stabile” (1971) a 25′ red steel sculpture by Alexander Calder. Approximately 30% of the sculpture was recovered.

Some 300 sculptures and drawings by Auguste Rodin, part of the Cantor Fitzgerald collection.

Needle Tower (1968) by Kenneth Snelson.

Recollection Pond, a tapestry by Romare Bearden.

Path Mural, by Germaine Keller.

Commuter Landscape, a large mural by Cynthia Mailman.

Fan Dancing with the Birds, a mural by Hunt Slonem.

The Entablature Series by Roy Lichtenstein

Approximately 40,000 negatives of photographs by Jacques Lowe documenting the presidency of John F. Kennedy.

The Sphere, an abstract sculpture by Fritz Koenig, survived the collapse but was seriously damaged, and now serves as a memorial.

Works destroyed in the Momart fire

Many works by Britartists in the Saatchi collection, as well as work by other artists in different collections, were destroyed in the Momart warehouse fire in Leyton, East London, on May 24, 2004.

Vertical Light by Patrick Heron (1957), and some 50 other paintings

Altair by Gillian Ayres (1989), and 17 other paintings

Craigie Horsfield’s black and white photograph of Barcelona, Carrer Muntaner (1996)

Hell by Jake and Dinos Chapman, (1998 to 2000)

The Last Thing I Said To You Is Don’t Leave Me Here (“The Hut”) by Tracey Emin (1999)

Everyone I Have Ever Slept With 19631995 (“The Tent”) by Tracey Emin

Mood Change One by Michael Craig-Martin

The Event by William Redgrave, a bronze triptych; about a third was salvaged by his son, Chris Redgrave.

Down Below, a sculpture by Sarah Lucas

Hedone’s, a painting by Patrick Caulfield

Floater, by Gavin Turk

Sixteen paintings by Damien Hirst

Cyclops Cameo (1995), Opal (1996), and eight other works by Helen Chadwick

Nine works by Barry Flanagan

Clown, a gloss painting on wood and other works by Gary Hume

Afrobluff, and other works by Chris Ofili

Works by Paula Rego

Forty works by Adrian Heath

See also

Wikimedia Commons has media related to: Lost artworks

Bombardment of Brussels

Lost work

Lost film

Nazi plunder

Rescuing Da Vinci

Vrouw Maria

References/external links

Lost Treasures of Europe:427 Photographs Henry Adams LaFarge (ed.), Pantheon (1946).

The Lost Museum. Glimpses of Vanished Originals Robert Adams, Viking Press (1980). ISBN 0-670-44107-4

Missing Masterpieces – Lost Works of Art, 1450-1900 Dr. Gert-Rudolf Flick, Merrell (January 2003). ISBN 1-85894-197-0

The eloquent and thorough post-war report, Works of Art in Italy. Losses and Survivals in the War, compiled by the British Committee on the Preservation and Restitution of Works of Art, London 1946, is an indispensable guide to the damage inflicted by wartime action throughout Italy between 1943 and 1945. It is posted online and also references other wartime articles on damage to works of art in Italy.

The authoritative source in English for paintings destroyed in the Friedrichshain Flakturm, Berlin, 1945 remains Christopher Norris, “The Disaster at Flakturm Friedrichshain; a Chronicle and List of Paintings,” The Burlington Magazine, December 1952, Vol. XCIV, Number 597.

http://www.leonardoshorse.org/

“The Art Lost by Citigroup on 9/11″ by Suzanne F. W. Lemakis

Public Art at the World Trade Center

Lost Art in the Towers

9/11 Attacks Destroy Cultural and Historical Artifacts

http://worldtradecenterart.blogspot.com/

The Britart fire

Lost Art (The National Museums in Berlin) on MuseumsWiki

Lost Art Masterpieces Destroyed in War in Flickr

Destroyed Works of Art and Architecture Group in Flickr

Categories: Lost works of art
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Jamestown Big Bang

[05.07 question]

Jody Schroath Argo

As 2007 takes its place in the past may have two or three people in the Chesapeake region, which is not affected by an event 400 th anniversary of Jamestown will be those who wear diapers. And not even then. . . .

There are many special events to commemorate the Quadricentennial of the landing in Jamestown, the first permanent English colony in America, extending back in the last year. Good luck replica of the ship, for example, toured the East Coast before returning to Virginia to prepare the first part of this new year the enactment of the arrival on 26 April. Jamestown Live! allowed one million students across the country to watch a one hour webcast on the legacy of Jamestown, which included questions from a panel of students Chickahominy Chief Stephen Adkins, chief of the Jamestown archaeologist William Kelso, and former astronaut Dr. Kathryn Thornton. The tribes of Virginia, held a conference last October in 400 years of survival. And last month, the radio host Tavis Smiley hosted the 2007 State of the Black event Union in the U.S. black mark. Smiley asked a group of 36 notable African Americans to discuss the role blacks played in the development of America's first slaves arrived in Jamestown in 1619 until today.

But do not worry, there are many activities is always special for 2007 event, including one of the most all big and tough. Weekend That would be U.S. anniversary, 11 May 13 in Jamestown, a mega-festival will feature three days of special events and all kinds of famous people, James Earl Jones, Ricky Skaggs, Chaka Khan, Sandra Day O'Connor and, of course, the indigenous Richmond Orchestra pumpkin (they grow their own instruments.) To help make sense of all the hype Jamestown 400, which include a visit May 3 and 4 by Queen Elizabeth II, who tirelessly calculate these groups operate in several networks of Jamestown events, about event-Bay and (the favorite of our readers) has happened to the boats. Finally, there are two related stories in the first place, how our understanding of what happened at Jamestown has changed over the years, we've changed, and the second information Cruise Jamestown area.

Jamestown Events
When we speak of Jamestown, of course, do not talk about Jamestown, but twice. Jamestown for beginners, this is how we went from zero to two: From Jamestown had disappeared as a town in the mid-18th century, 1907 300th anniversary celebration was held in Norfolk instead. But organizers of the event in 1957 suggested that the 350 anniversary Back in Jamestown in a purpose-built center, called Jamestown Festival Park, located near the site of origin. Jamestown Festival Park is now known as the Jamestown Settlement landing site in 1607, strong principles and the historic town called Jamestown. Thus, two and three sites of 400 anniversary of Jamestown in the final week (the third is the anniversary of the park, across Route 31 from the colony, where many concerts during the weekend will take place).

Jamestown Settlement, in the framework the operation of the Jamestown-Yorktown Foundation of the State of Virginia, includes a recreated Indian village, a reproduction of high Jamestown, 70,000 square feet of exhibition space inside and outside, where you can walk in a 17th century English Main Street and reproductions of the ships that brought the first settlers: Susan Constant andDiscovery, good luck. Special Programming 400th anniversary of creation begins April 27 with the opening of "The World of 1607", an ambitious cycle of four pieces written by 28 scholars from borrowing materials around the world with a view to the Jamestown colony in a global context. The idea is that we do recognize that the nonscholars events do not occur in a vacuum but as part of the great forces, including political, social and artistic. The elements that form part of the exhibition include a copy of century 15 of the Constitution, a glass of wine from the 1607 Jade Emperor Jahangir of India and Africa since the 17th century carved ivory salt cellar. Do not you feel smarter already?

Much of the other special programs at Jamestown Settlement will take place only during the anniversary weekend. This will include artillery demonstrations, honor guards, the pomp history, and drama. There will be demonstrations by craftsmen and artisans, and more than enough to keep thousands of children as happy as clams during hours time. The replica ship will also be open for visitors and performers dressed act as guides in all areas of the park.

The site archaeological, historical known as Jamestown, is a partnership between the National Park Service and the Association for the Preservation of Virginia Antiquities (APVA). Is close to Jamestown Island, connected to the mainland by colonial promenade and a small bridge between Sandy Bay. In 1994, the APVA Archaeologist William Kelso hired to excavate the site in hopes of finding something interesting for the 2007 anniversary. Although previous excavations had found no evidence of the original James Fort, Kelso are in their first dig to say April. The site of the fort is long believed to have been flooded two centuries ago by the James River. In fact, almost all of the original fort is marked on the continent, with an angle under water. In years after the discovery, Kelso and his colleagues have discovered more than 700,000 objects, including a particularly intriguing skeleton found outside the original walls buried with the staff of an emcee. Kelso believes this could be the remains of Bartholomew Gosnold, captain of theGodspeed and one of the main leaders of the colony. [See box, page 57.]

Historic Jamestown has recently added an elegant, multi-window Archaearium, which uses intelligent visualization techniques to display a selection of objects view of where they were discovered. Also in historic Jamestown, visitors can visit the house of glass blowers, the remains of a church in the late 17th century, archaeological discoveries such as the contours of the last Jamestown state legislature (1663), a cemetery, at first, and the statues of John Smith and Pocahontas.

Special anniversary events historic weekend in commemoration of the Jamestown include Jamestown celebrations past, a series of programs called 104 men and children, lectures and the official farewell of the replica ship to spend the rest of the summer 1608 are repeated Captain John Smith's voyages of discovery in the Chesapeake Bay [See "The Master Map", October, November, 2006]. Jamestown Smith had left shortly after the arrival of settlers to explore the bay in search Gold and along the Northeast Passage to Asia, has requested and make contact with Indian tribes living on its banks. In two important voyages of discovery, Smith and his crew have sailed or paddled almost all the tributaries of the bay and Smith himself made his first detailed map. The journey of recovery that will leave Jamestown on May 12 largely follows the journey of Smith, which makes about two dozen stops in towns and villages along the road.

Musical events have an important role in the timing of Birthday weekend, including a choir and orchestra of 1607 members of 400 pieces, famous artists like Bruce Hornsby, Chaka Khan and Ricky Skaggs, and award winning musical groups dozens of schools and independent organizations around the country (including all pumpkin orchestra). There will also be performances, games, fireworks, pageantry, demonstrations and dramatic readings. . . in short, everything you can imagine. No more than 30,000 people are listed on any three days to buy tickets in advance is essential. For a detailed list of events, visitwww.jamestown2007.org. You will find information about tickets, too, and in the sidebar of this page.

Events Around the Bay
While the anniversary weekend to produce the best performance for the history books, you can be sure there will be a boomlet 400 Jamestown near you. It may be a signature event, the term used by the organizers of Jamestown 2007, a dozen events throughout the region, many of adopting the official theme of the anniversary: The convergence of three cultures. Among them are the American Indian Intertribal Festival in Hampton, Virginia, July 21 and 22 and the Afro-American Trade and Expo August 24 and 25 in Hampton Roads. Also scheduled to Smithsonian Folklife Festival on the National Mall in Washington, DC, 27 June to 8 July, which will with artists, storytellers and crafts of native Virginia, south-east of England and West Africa. September 16 to 19 to see the Forum on the Future Democracy in Williamsburg. (For more information on these events thewww.jamestown2007.org site.)

Moreover, a special exhibition Richmond is particularly noteworthy. Rule Britannia! Art, royalty and power in the era of Jamestown, "the Museum of Fine Arts in Virginia, will be held April 28 August 12 (www.vmfa.state.va.us / Rule.html). This is an exhibition of 17 real-century portraits and maritime paintings some of them huge loans, including special Collection of Queen Elizabeth II, these museums like the National Gallery of Art and the Metropolitan Museum of Art and private collections in Britain. Some of these works have rarely ever been seen by the public.

In Norfolk, Virginia Living Museum will offer two special and very different from its contribution to the Jamestown festivities. "Survivor: Jamestown Labyrinth, "which runs through November 25, children and adults with snake through a maze, making decisions on the way to survive in this new world. Also in the Living Museum, backyard gardeners will be delighted with a new permanent garden highlight the history of Virginia from 1607 Botanical until today.

Norfolk are two other noteworthy events. Virginia Vela 7-12 June, with military parades and ceremonies, parades, sea and cultural activities with offshore vessels with sea view at sea and the Norfolk Naval Base, and Harborfest weekend, with games and special exhibitions. (Www.sailvirginia2007.com) Norfolk is also the location of routes and working waterfront "National Symposium on Water Access, May 9 to 11 at the Sheraton Norfolk Marriott. (Www.wateraccess2007.com).

The Kimball Theatre in Williamsburg (www.vptheatre.com) is showing a historical drama, Smith, being the life and death of Captain John Hume, Ivor by Nel. It runs April 5 to December 31.

We could continue, but expand the list of events at Jamestown in places along the Chesapeake Bay in the journal next month checkwww.jamestown2007.org/calendar.cfm recommended. You can search by date and region.

Boats with events
Fortunately for all sailors in the bay, many of the 400 th anniversary events will take place in and around water. Again, there is insufficient information to sink a ship, so we'll just hit the high points. But we will give you some sites where can get more information. -water events focused correspond roughly into two categories: reconstruction of the events that have or three response vessels, good luck, Susan Constant and Discovery, and re-enactments focused on voyages of discovery 1608, Captain John Smith and his team. To make things even more interesting, the Bay has produced not one but three canoes 30-foot replica of Smith, called boat which was transported on ships from England and reassembled in the New World. Each replica has its own route of the boats, but sometimes as in this first event, they'll all be together.

As a recreation of Jamestown, the Big Bang. Thursday, April 26, the three ships and three ships will be landing first Virginia State Park Beach for a new dramatic version of the platform of the first Jamestown settlers in America at Cape Henry. The first program will begin at 9 am, landing can not do it so soon? Do not worry, the first second-tier program will begin at 15:00 there will be an entrance fee to the park for the event.

The replica ship will leave April 28, Virginia Beach, Godspeed takes the lead in the signing ceremony said the journey of James. Good luck will stop other three ports before arriving at Jamestown, May 11 for the start of the birthday weekend. [For all ports of call travel Godspeed to James and his trip to the Bay this summer and fall, see sidebar, page 57. navigators] are invited to join the fleet in Hampton Virginia Beach on April 28 in Hampton called the Great American Wharf Party. The date also coincides with International Children's Festival City. (For information on participating marinas, call 800-487-8778.)

Although the three ships will be in Virginia Beach on April 26 for the first event of landing "official" launch "the construction in Chestertown by Sultana Projects will have its official farewell at 10 am May 12, Historic Jamestown Travel reactivated in early discovery Smith. (You will need a weekend birthday ticket to see the farewell ceremony.) The first of 20 official stops on the trip Onancock recovery will be 19 and 20, coinciding with the conclusion of Captain Smith combined city and the 200 anniversary of the National Oceanic and Atmospheric Administration (NOAA). Officials at all scales, Visitors will be invited to meet the crew and see exhibitions that go along with it [see sidebar, page 56].

Events Special provision has been made to match official stop of the boat at a time during their journey of recovery and good luck on your visit to ports along the bay after the anniversary weekend to see the calendar in the sidebar and find information about their port of origin or favorite cruising grounds.

For Finally, Captain John Smith was the trip to inaugurate the 400 First Nations trail of all water-historical, Captain John Smith Chesapeake National Historic Water Trail, which was approved by Congress in December 2006 and is under the jurisdiction of the National Park Service. At three points in the path of the ship Sultana, NOAA will operate its first three "smart buoys" This will provide information on historical and ecological importance of a site particular, as well as live readings and weather conditions and water quality. The first buoy is located 400 meters from the south coast of the monument will be dedicated during and Jamestown Birthday weekend. The second is a mile northwest of the Mirador of light near the mouth of the Potomac River. The third is activated when the boat comes to Baltimore and is located one mile east-southeast of seven-foot Knoll Light. Boaters (and worldwide) will be able to compose these buoys 877-BUOYBAY calling toll. You can access the buoys online at www. Buoybay.org.

Well, that's us. Now it's your turn. Take a look, learn more about early America, then board and go up to see for yourself!

About the Author

By Jody Schroath, Senior Editor for Chesapeake Bay Magazine. For more great articles and photos on boating, sailing, fishing, and cruising, visit http://www.ChesapeakeBoating.net

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